Difference between revisions of "Reconstruction:Soon To Be Dead (Dismember)"

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{{Music Reconstruction|file=Dismember-soon to be dead.mp3|caption=Dismember—Soon To Be Dead}}
{{Music Reconstruction|file=Dismember-soon to be dead.mp3|caption=Dismember - Soon To Be Dead}}


The introductory motif is a {{def|descent||0.3-0.7}} {{def|elevated|elevation|0.3-1.2}} to a conclusive {{def|continuation||}} of {{ref|descent}}.
The introductory motif is a {{def|descent||0.3-0.7}} {{def|elevated|elevation|0.3-1.2}} 3 times, concluding in a {{def|confirmed||1.2-1.9}} {{ref|descent}}.


The next phrase shows how a {{ref|descent||}} suffixed by a {{def|proto-{{ref|elevation}}|proto-elevation|}} {{def|develops|develop}} into an {{ref|elevation||}} {{def|iteratively|iteration}}.
The next phase shows how a {{ref|descent||2.5-5}} suffixed by a {{def|proto-{{ref|elevation}}|proto-elevation|4-6.2}} {{ref|elevates|elevation|8-10}} and then {{def|develops|develop|25-26}} this elevation iteratively.


Then, a tonal {{def|repetition}} corroborates a {{def|contained {{ref|elevation}}|contained}}. Similarly, a {{ref|repetition}} causes {{ref|continuation}} through {{ref|iteration}}. It leads to a {{ref|continuation}} of {{ref|development|develop}} and subsequently a {{ref|contained {{ref|elevation}}|contained}}.
However, a {{def|repetition||26-27.1}} is then introduced, which corroborates a {{def|contained {{ref|elevation}}|contained|29-30}} that contrasts the {{ref|development|develop}} of {{ref|elevation}}.


Finally, {{ref|elevation}} repurposes the introductory {{ref|continuation|}} motif in a {{ref|developed|develop}} {{ref|repetition}} instead of {{ref|continuation|}}, projecting the {{ref|contained {{ref|elevation}}|contained}}.
An {{ref|elevation||1:17.4-1:19.5}} is then reintroduced, immediately antagonized by a {{ref|repetition||1:19.5-1:21.5}} of {{ref|descent}}. This antagonism iteratively {{ref|develops|develop|1:25.5-1:26.75}} into a {{ref|confirmation|confirmed|1:31-1:32.5}} of {{ref|descent}}, with each iteration of {{ref|descent}} {{def|leading|lead}} reactively to, first, a {{ref|contained {{ref|elevation}}|contained|1:28.5-1:29.6}} and, then, a {{def|repeating {{ref|elevation}}|repeating elevation|1:32.5-1:33.6}}.
 
The final motif is an evolution of the introductory motif into an {{ref|elevation||1:34-1:35.8}} of a condensed {{def|projection||1:35.3-1:36.5}} of the {{ref|repeating {{ref|elevation}}|repeating elevation|1:32.5-1:33.6}}, thwarting the expectation (set by the introductory motif) of a {{ref|descent}} {{ref|confirmation|confirmed}} which had become, implicitly since the preceding section, the {{ref|leading|lead}} motif of this projection.

Latest revision as of 18:38, 13 January 2022

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For more info on reconstructions, we refer you to our manifesto or the online book.


The introductory motif is a <descent>DEF <elevated>DEF 3 times, concluding in a <confirmed>DEF <descent>.

The next phase shows how a <descent> suffixed by a <proto-<elevation>>DEF <elevates> and then <develops>DEF this elevation iteratively.

However, a <repetition>DEF is then introduced, which corroborates a <contained <elevation>>DEF that contrasts the <development> of <elevation>.

An <elevation> is then reintroduced, immediately antagonized by a <repetition> of <descent>. This antagonism iteratively <develops> into a <confirmation> of <descent>, with each iteration of <descent> <leading>DEF reactively to, first, a <contained <elevation>> and, then, a <repeating <elevation>>DEF.

The final motif is an evolution of the introductory motif into an <elevation> of a condensed <projection>DEF of the <repeating <elevation>>, thwarting the expectation (set by the introductory motif) of a <descent> <confirmation> which had become, implicitly since the preceding section, the <leading> motif of this projection.