Difference between revisions of "Reconstruction:Feeble Screams from Forests Unknown (Burzum)"
From Conceptual Reconstructionism Project
Thaumasnot (talk | contribs) (Created page with "{{Music Reconstruction|file=Burzum-Feeble-Screams-From-Forests-Unknown.mp3|caption=Burzum - Feeble Screams From Forests Unknown}} From the start, an {{def|elevation||0:2.7-0:6}} is repeatedly pulled down at its {{def|apex||0:3.5-0:6}} by descending intervals, first {{def|abruptly|abrupt|0:6.5-0:8}}, then after a {{def|staggered||0:18.5-0:20.3}} descent. A new concept is then introduced when {{def|tremolo||1:12.6-1:13.9}} is used to prefix {{ref|elevation||1:13.8-1:14.7...") |
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The composition then correlates {{def|{{ref|staggered}} descents|staggered descents|2:37-2:44}} to a {{def|{{ref|staggered}} {{ref|elevation}}|staggered elevation|2:50.2-2:54}} as a decomposition of {{ref|elevation}} into {{def|proto-{{ref|elevations|elevation}}|protoelevation}}. The {{ref|staggering|staggered}} is progressively {{def|assimilated}}, by analogy, into a descending {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose|4:35-4:47.5}}, where the tremolo abstracts the {{ref|staggered}} segments. | The composition then correlates {{def|{{ref|staggered}} descents|staggered descents|2:37-2:44}} to a {{def|{{ref|staggered}} {{ref|elevation}}|staggered elevation|2:50.2-2:54}} as a decomposition of {{ref|elevation}} into {{def|proto-{{ref|elevations|elevation}}|protoelevation}}. The {{ref|staggering|staggered}} is progressively {{def|assimilated}}, by analogy, into a descending {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose|4:35-4:47.5}}, where the tremolo abstracts the {{ref|staggered}} segments. | ||
In contrast to the preceding essentially descending section, the final section starts with a {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}} based on a {{def|rhythmically|rhythm}} repeating {{ref|proto-{{ref|elevation}}|protoelevation|5:11.5-5:15}}. Then, in total contrast, the final motif starts with a {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose}} that pulls down the preceding {{ref|elevation}}, and then correlates a {{def|{{ref|transposed|transposition}} {{ref|tremolo}}|transposed tremolo|6:8.7-6:10}} to a {{ref|proto-{{ref|elevation}}|protoelevation|6:12-6:13.4}}. The final motif thus produces an epiphany that reveals simultaneously (a) the {{ref|proto-{{ref|elevation}}|protoelevation}} semantics that {{ref|tremolo}} implicitly acquired when it {{ref|assimilated}} the {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation}}, and (b) an appropriation of the preceding {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}}, as | In contrast to the preceding essentially descending section, the final section starts with a {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}} based on a {{def|rhythmically|rhythm}} repeating {{ref|proto-{{ref|elevation}}|protoelevation|5:11.5-5:15}}. Then, in total contrast, the final motif starts with a {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose}} that pulls down the preceding {{ref|elevation}}, and then correlates a {{def|{{ref|transposed|transposition}} {{ref|tremolo}}|transposed tremolo|6:8.7-6:10}} to a {{ref|proto-{{ref|elevation}}|protoelevation|6:12-6:13.4}}. The final motif thus produces an epiphany that reveals simultaneously (a) the {{ref|proto-{{ref|elevation}}|protoelevation}} semantics that {{ref|tremolo}} implicitly acquired when it {{ref|assimilated}} the {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation}}, and (b) an appropriation of the preceding {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}}, as a {{ref|rhythmic|rhythm}} alignment with the latter is revealed in the final motif’s cadence. | ||
[[Category:Burzum]] | [[Category:Burzum]] | ||
[[Category:Metal]] | [[Category:Metal]] | ||
Latest revision as of 21:47, 21 January 2022
From the start, an is repeatedly pulled down at its by descending intervals, first , then after a descent.
A new concept is then introduced when is used to prefix . This tremolo a descending of . It to the of a , leading to a .
The composition then correlates to a as a decomposition of into . The is progressively , by analogy, into a descending , where the tremolo abstracts the segments.
In contrast to the preceding essentially descending section, the final section starts with a based on a repeating . Then, in total contrast, the final motif starts with a that pulls down the preceding , and then correlates a to a . The final motif thus produces an epiphany that reveals simultaneously (a) the semantics that implicitly acquired when it the , and (b) an appropriation of the preceding , as a alignment with the latter is revealed in the final motif’s cadence.
