Difference between revisions of "Reconstruction:La Vie (Picasso)"

Latest revision as of 21:02, 12 January 2022

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Two vertical groups <divide>⁠DEF the painting down the middle: the naked adult couple on the left, and the mother with baby on the right.

The top and bottom edges of the canvases in the background support horizontal bands. The uppermost band coincides with a <conjunction>⁠DEF between the man and woman to the right, thanks to the alignment of the horizontal sight-lines:

<Conjunction> between the man and the woman to the right, as indicated by the dashed line

In the lower bands however, an <opposition>⁠DEF is created between the vertical groups by the asymmetric <convex>⁠DEF shapes of the figures on the canvases who turn their back to the woman to the right:

Asymmetric <convex> shapes create an <opposition> by “wrapping” the vertical group on the left

Then, the sight-line of the woman on the left, moving down the man’s left forearm and going up along the hand at an angle, forms a <trajectory>⁠DEF that emphasizes, as a tangent, the <symmetric <convexity>>⁠DEF made by the tonal contrast between the the mother cradling the baby and the mother’s dark clothing.

<Trajectory> tangent to the <symmetric <convexity>>

Together with the <conjunction>, this creates a link that goes through all four figures and subverts the <opposition> based on the asymmetric <convex> shapes in the background and the rigid orthogonal lines that <divide> the painting.

Related painting: Des pauvres au bord de la mer

This painting uses a form of <trajectory> in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The <trajectory> subverts their <opposition> and the <conjunction> (underlined by the man’s crossed arms) between the woman and the man. The <trajectory> unites all three figures, as it parallels the vector made by the faces of the man and the child, as both faces nod the same way and tonally contrast the dark clothing.

@@ Line 1: / Line 1: @@
+{{reconstruction}}
 [[File:Picasso, La Vie 1903.jpg|center|600px]]
-{{metadata|author=Thaumas Not|created=2009-09-28}}
+Two vertical groups {{def|divide}} the painting down the middle: the naked adult couple on the left, and the mother with baby on the right.
-Deux couples à dominante verticale s'{{meta|opposent}} : le couple adulte et la mère avec son enfant. L'{{meta|opposition}} est marquée par le dessin des contours {{meta|convexes}}, et matérialisé dans le cas du couple maternel par le contraste du linge blanc avec le tissu sombre. La {{meta|convexité}} est reflétée dans chacune des toiles de fond, incarnée dans chaque position fœtale. L'orientation courbe l'espace vers le couple de gauche, comme le corrèlent l'incurvation dorsale ou l'écornement en haut à droite de la toile de fond la plus haute.
+The top and bottom edges of the canvases in the background support horizontal bands. The uppermost band coincides with a {{def|conjunction}} between the man and woman to the right, thanks to the alignment of the horizontal sight-lines:
-[[File:Lavie-convex.png|center|frame|{{meta|Convexités}}]]
+[[File:Lavie-bandes.png|center|frame|{{ref|Conjunction}} between the man and the woman to the right, as indicated by the dashed line]]
-Une {{meta|conjonction}} entre les couples est définie par bandes horizontales étayées par l'étagement des deux toiles de fond :
+In the lower bands however, an {{def|opposition}} is created between the vertical groups by the asymmetric {{def|convex}} shapes of the figures on the canvases who turn their back to the woman to the right:
-[[File:Lavie-bandes.png|center|frame|{{meta|Conjonction}}]]
+[[File:Lavie-convex.png|center|frame|Asymmetric {{ref|convex}} shapes create an {{ref|opposition}} by “wrapping” the vertical group on the left]]
-Elle corrobore une {{meta|anti}}-{{meta|opposition}} prononcée par un trajet partant des yeux de la jeune femme, descendant le long de son avant-bras puis se recourbant vers le haut en suivant la main de l'homme selon une droite tangente au berceau formé par les bras de la mère.
+Then, the sight-line of the woman on the left, moving down the man’s left forearm and going up along the hand at an angle, forms a {{def|trajectory}} that emphasizes, as a tangent, the {{def|symmetric {{ref|convexity|convex}}|symmetry}} made by the tonal contrast between the the mother cradling the baby and the mother’s dark clothing.
-[[File:Lavie-extern.png|center|frame|Trajet {{meta|anti}}-{{meta|oppositionnel}}]]
+[[File:Lavie-extern.png|center|frame|{{ref|Trajectory}} tangent to the {{ref|symmetric {{ref|convexity|convex}}|symmetry}}]]
-En ce sens, le tableau formalise une {{meta|anti}}-thèse au repli {{meta|convexe}} sur soi/sur son couple, vers une autre forme de couple, celui formé de la mère et de l'enfant.
+Together with the {{ref|conjunction}}, this creates a link that goes through all four figures and subverts the {{ref|opposition}} based on the asymmetric {{ref|convex}} shapes in the background and the rigid orthogonal lines that {{ref|divide}} the painting.
-==Tableau corrélé : ''Des pauvres au bord de la mer''==
+==Related painting: ''Des pauvres au bord de la mer''==
 [[File:Des-pauvres-au-bord-de-la-mer.jpg|center|400px]]
-Ce tableau montre une {{meta|conjonction}} {{meta|opposant}} l'enfant aux adultes. Cette {{meta|opposition}} est {{meta|anta}}-gonisée par une diagonale allant de la femme à l'enfant, appuyée sur le bras de la femme, la jambe légèrement repliée de l'homme et le trait inférieur du haut de vêtement de l'enfant.
+This painting uses a form of {{ref|trajectory}} in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The {{ref|trajectory}} subverts their {{ref|opposition}} and the {{ref|conjunction}} (underlined by the man’s crossed arms) between the woman and the man. The {{ref|trajectory}} unites all three figures, as it parallels the vector made by the faces of the man and the child, as both faces nod the same way and tonally contrast the dark clothing.
 [[Category:Painting]]
 [[Category:Pablo Picasso]]