Difference between revisions of "Reconstruction:La Vie (Picasso)"

Revision as of 23:57, 1 January 2022

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Two couples are <opposed>⁠DEF as verticalities: the naked adult couple on the left, and the mother and child on the right. The <opposition> is marked by <convexities>⁠DEF that follow the contour of figures painted in <light>⁠DEF colors: the naked bodies (the couple on the left and the paintings in the middle) and the <convex> <unity>⁠DEF of the mother cradling the child in contrast to the mother’s non-<light> clothing.

Horizontal <conjunctions>⁠DEF are defined by horizontal bands supported by the canvases in the background: (1) the woman on the left and the child (cf. green highlight below), and (2) the man and the woman on the right (cf. red highlight below), whose <conjunction> is enforced by the perfect alignment of their heads:

Then the sight-line of the woman on the right, linking to the man’s left wrist and going up along the hand at an angle, forms a <trajectory>⁠DEF that <crosses>⁠DEF the vertical and horizontal lines of <opposition> and <conjunction>, and emphasize, as a tangent, <unity> as opposed to just the child.

<Trajectory> tangent to <unity>

Correlated painting: Des pauvres au bord de la mer

This painting uses a form of <trajectory> in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The <trajectory> groups all three figures by <crossing> their vertical <opposition> and the horizontal <conjunction> (underlined by the man’s crossed arms) between the woman and the man. The <trajectory> projects into the parallel vector made by the faces of the man and the child as they both nod the same way, forming a <light> <unity> that contrasts the non-<light> clothing.

@@ Line 7: / Line 7: @@
 [[File:Lavie-convex.png|center|frame|{{ref|Convexities}}]]
-Horizontal {{def|conjunctions|conjunction}} are defined by horizontal bands supported by the canvases in the background: (1) the woman on the left and the child, and (2) the man and the woman on the right, whose {{ref|conjunction}} is enforced by the perfect alignment of the heads:
+Horizontal {{def|conjunctions|conjunction}} are defined by horizontal bands supported by the canvases in the background: (1) the woman on the left and the child (cf. green highlight below), and (2) the man and the woman on the right (cf. red highlight below), whose {{ref|conjunction}} is enforced by the perfect alignment of their heads:
 [[File:Lavie-bandes.png|center|frame|{{ref|Conjunctions}}]]
-Then the sight-line of the woman on the right, linking to the man’s left wrist and going up  along the hand at an angle, forms a {{def|trajectory}} that {{def|crosses|cross}} the orthogonalities of {{ref|opposition}} and {{ref|conjunction}} by underlining {{ref|unity}} as opposed to just the child.
+Then the sight-line of the woman on the right, linking to the man’s left wrist and going up  along the hand at an angle, forms a {{def|trajectory}} that {{def|crosses|cross}} the vertical and horizontal lines of {{ref|opposition}} and {{ref|conjunction}}, and emphasize, as a tangent, {{ref|unity}} as opposed to just the child.
-[[File:Lavie-extern.png|center|frame|{{ref|Trajectory}}]]
+[[File:Lavie-extern.png|center|frame|{{ref|Trajectory}} tangent to {{ref|unity}}]]
 ==Correlated painting: ''Des pauvres au bord de la mer''==