Difference between revisions of "Reconstruction:Soon To Be Dead (Dismember)"
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{{Music Reconstruction|file=Dismember-soon to be dead.mp3|caption=Dismember—Soon To Be Dead}} | {{Music Reconstruction|file=Dismember-soon to be dead.mp3|caption=Dismember—Soon To Be Dead}} | ||
The introductory motif is a {{def|descent||0.3-0.7}} {{def|elevated|elevation|0.3-1.2}} to a conclusive {{def|continuation||}} of {{ref|descent}}. | The introductory motif is a {{def|descent||0.3-0.7}} {{def|elevated|elevation|0.3-1.2}} to a conclusive {{def|continuation||1.2-1.9}} of {{ref|descent}}. | ||
The next phrase shows how a {{ref|descent||}} suffixed by a {{def|proto-{{ref|elevation}}|proto-elevation|}} {{ | The next phrase shows how a {{ref|descent||2.5-5}} suffixed by a {{def|proto-{{ref|elevation}}|proto-elevation|4-6.2}} {{ref|elevates|elevation|8-10}} and then {{def|develops|develop|25-26}} iteratively. | ||
Then, a tonal {{def|repetition}} corroborates a {{def|contained {{ref|elevation}}|contained | Then, a tonal {{def|repetition||26.1-27}} corroborates a {{def|contained {{ref|elevation}}|contained|29-30}}. | ||
An {{ref|elevation||1:17.4-1:19.5}} is reintroduced, antagonized by a {{ref|repetition||1:19.5-1:21.5}} of {{ref|descent}} developing into a {{ref|continuation||}}, which becomes the {{ref|continuation||1:26.75-1:28}} of a {{ref|development|develop|1:25.5-1:26.75}}, leading {{ref|repeatedly|repetition|1:32.5-1:33.8}} to a {{ref|contained {{ref|elevation}}|contained|1:28.5-1:29.6}}. | |||
Finally, the introductory {{ref|continuation}} motif is evolved into an {{ref|elevation||1:34-1:35.8}} of a {{def|{{ref|developed|develop}} {{ref|repetition}}|developed repetition|1:35.3-1:36.5}} subbing {{ref|continuation}}, projecting the {{ref|contained {{ref|elevation}}|contained}} alluded to by the subbed {{ref|continuation}}. |
Revision as of 12:42, 22 December 2021
The introductory motif is a to a conclusive of .
The next phrase shows how a
suffixed by a and then iteratively.Then, a tonal
corroborates a .An
is reintroduced, antagonized by a of developing into a , which becomes the of a , leading to a .Finally, the introductory
motif is evolved into an of a subbing , projecting the alluded to by the subbed .