Difference between revisions of "Reconstruction:La Vie (Picasso)"

Revision as of 18:30, 12 January 2022

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Two vertical groups <divide>⁠DEF the painting down the middle: the naked adult couple on the left, and the mother with baby on the right. This is confirmed by the side-edges of the canvases in the background.

The top and bottom edges of these canvases support horizontal bands. The uppermost band coincides with a <conjunction>⁠DEF between the man and woman to the right, thanks to the alignment of the horizontal sight-lines:

<Conjunction> between the man and the woman to the right.

In the lower bands however, an <opposition>⁠DEF is created between the vertical groups by the asymmetry of <convexities>⁠DEF that follow the contour of the figures on the canvases:

Asymmetric <convexities> create an <opposition> by “wrapping” the vertical group on the left

Then, the sight-line of the woman on the left, moving down the man’s left forearm and going up along the hand at an angle, forms a <trajectory>⁠DEF that emphasizes, as a tangent, the <symmetric <convexity>>⁠DEF that arises from the tonal contrast between the mother cradling the baby and the mother’s dark clothing.

<Trajectory> tangent to <unity>

Together with the <conjunction>, this creates a link that goes through all four figures and subverts the <opposition> based on the asymmetric <convexities> and the rigid lines that <divide> the painting.

Related painting: Des pauvres au bord de la mer

This painting uses a form of <trajectory> in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The <trajectory> crosses their vertical <opposition> and the <conjunction> (underlined by the man’s crossed arms) between the woman and the man. The <trajectory> unites all three figures, as it projects into the parallel vector made by the faces of the man and the child as they both nod the same way, both tonally contrasting the dark clothing.

@@ Line 3: / Line 3: @@
 [[File:Picasso, La Vie 1903.jpg|center|600px]]
-Two couples are {{def|opposed|opposition}} as verticalities: the naked adult couple on the left, and the mother and child on the right. The {{ref|opposition}} is marked by {{def|convexities}} that follow the contour of figures painted in {{def|light}} colors: the naked bodies (the couple on the left and the paintings in the middle) and the {{ref|convex}} {{def|unity}} of the mother cradling the child in contrast to the mother’s non-{{ref|light}} clothing.
+Two vertical groups {{def|divide}} the painting down the middle: the naked adult couple on the left, and the mother with baby on the right. This is confirmed by the side-edges of the canvases in the background.
-[[File:Lavie-convex.png|center|frame|{{ref|Convexities}}]]
+The top and bottom edges of these canvases support horizontal bands. The uppermost band coincides with a {{def|conjunction}} between the man and woman to the right, thanks to the alignment of the horizontal sight-lines:
-Horizontal {{def|conjunctions|conjunction}} are defined by horizontal bands supported by the canvases in the background: (1) the woman on the left and the child (cf. green highlight below), and (2) the man and the woman on the right (cf. red highlight below), whose {{ref|conjunction}} is enforced by the perfect alignment of their heads:
+[[File:Lavie-bandes.png|center|frame|{{ref|Conjunction}} between the man and the woman to the right.]]
-[[File:Lavie-bandes.png|center|frame|{{ref|Conjunctions}}]]
+In the lower bands however, an {{def|opposition|oppose}} is created between the vertical groups by the asymmetry of {{def|convexities|convex}} that follow the contour of the figures on the canvases:
-Then the sight-line of the woman on the left, linking to the man’s left wrist and going up along the hand at an angle, forms a {{def|trajectory}} that {{def|crosses|cross}} the vertical and horizontal lines of {{ref|opposition}} and {{ref|conjunction}}, and emphasizes, as a tangent, {{ref|unity}}.
+[[File:Lavie-convex.png|center|frame|Asymmetric {{ref|convexities|convex}} create an {{ref|opposition}} by “wrapping” the vertical group on the left]]
+Then, the sight-line of the woman on the left, moving down the man’s left forearm and going up along the hand at an angle, forms a {{def|trajectory}} that emphasizes, as a tangent, the {{def|symmetric {{ref|convexity|convex}}|symmetry}} that arises from the tonal contrast between the mother cradling the baby and the mother’s dark clothing.
 [[File:Lavie-extern.png|center|frame|{{ref|Trajectory}} tangent to {{ref|unity}}]]
-==Correlated painting: ''Des pauvres au bord de la mer''==
+Together with the {{ref|conjunction}}, this creates a link that goes through all four figures and subverts the {{ref|opposition|oppose}} based on the asymmetric {{ref|convexities|convex}} and the rigid lines that {{ref|divide}} the painting.
+==Related painting: ''Des pauvres au bord de la mer''==
 [[File:Des-pauvres-au-bord-de-la-mer.jpg|center|400px]]
-This painting uses a form of {{ref|trajectory}} in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The {{ref|trajectory}} groups all three figures by {{ref|crossing|cross}} their vertical {{ref|opposition}} and the horizontal {{ref|conjunction}} (underlined by the man’s crossed arms) between the woman and the man. The {{ref|trajectory}} projects into the parallel vector made by the faces of the man and the child as they both nod the same way, forming a {{ref|light}} {{ref|unity}} that contrasts the non-{{ref|light}} clothing.
+This painting uses a form of {{ref|trajectory}} in the diagonal running along the woman’s forearm down the child’s right hand, the falling edge of his upper garment, and the man’s leg at an angle. The {{ref|trajectory}} crosses their vertical {{ref|opposition}} and the {{ref|conjunction}} (underlined by the man’s crossed arms) between the woman and the man. The {{ref|trajectory}} unites all three figures, as it projects into the parallel vector made by the faces of the man and the child as they both nod the same way, both tonally contrasting the dark clothing.
 [[Category:Painting]]
 [[Category:Pablo Picasso]]