Difference between revisions of "Reconstruction:Damsels wearing face packs posing before panels"

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[[Image:Jay maisel face packs marked.png|border|center|400px]]
[[Image:Jay maisel face packs marked.png|border|center|400px]]


The woman to the right emphasizes {{def|verticality|vertical}} through the head resting on the hand, the panel behind her head, and the facemask which leaves an open skin area that reflects the hand in {{def|shape}} and colour, in contrast to the other facemask which is closed-off around the eyes:
The woman to the right emphasizes {{def|verticality|vertical}} through the head resting on the hand, the panel behind her head, and the face pack which leaves an open skin area that reflects the hand in {{def|shape}} and colour, in contrast to the other face pack which is closed-off around the eyes:


[[Image:Jay maisel face packs marked4.png|border|center|400px]]
[[Image:Jay maisel face packs marked4.png|border|center|400px]]


As such, the {{ref|shape}} of the facemask is transposed to the hand, which, in turn, is {{ref|stretched|stretch}} through the the forearm which “bends” the {{ref|verticality|vertical}} of {{ref|shape}} in the direction of the {{ref|stretching|stretch}}, as if mutating the {{ref|shape}} of the facemask to make it flow past the {{ref|vertical}} compartmentalization:  
As such, the {{ref|shape}} sketched by the face pack is transposed to the hand. The hand, in turn, is {{ref|stretched|stretch}} through the forearm which “bends” the {{ref|verticality|vertical}} of the hand’s {{ref|shape}} in the direction of the {{ref|stretching|stretch}}, as if mutating the {{ref|shape}} from the face pack to make it flow past the {{ref|vertical}} compartmentalization:  


[[Image:Jay maisel face packs marked5.png|border|center|400px]]
[[Image:Jay maisel face packs marked5.png|border|center|400px]]


[[Category:Photography]]
[[Category:Photography]]

Latest revision as of 12:03, 13 January 2022

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Jay Maisel, Damsels wearing face packs posing before panels

The composition <separates>DEF the surface into <convex>DEF regions encompassing each woman. The separation is further accentuated by panels in the background whose upper contour <stretches>DEF <convexity> to the right:

Jay maisel face packs marked.png

The woman to the right emphasizes <verticality>DEF through the head resting on the hand, the panel behind her head, and the face pack which leaves an open skin area that reflects the hand in <shape>DEF and colour, in contrast to the other face pack which is closed-off around the eyes:

Jay maisel face packs marked4.png

As such, the <shape> sketched by the face pack is transposed to the hand. The hand, in turn, is <stretched> through the forearm which “bends” the <verticality> of the hand’s <shape> in the direction of the <stretching>, as if mutating the <shape> from the face pack to make it flow past the <vertical> compartmentalization:

Jay maisel face packs marked5.png