Difference between revisions of "Reconstruction:Angst (1983)"

From Conceptual Reconstructionism Project
 
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[[File:Screenshot 2021-12-18 11.14.51.jpg|400px|center]]
[[File:Screenshot 2021-12-18 11.14.51.jpg|400px|center]]


He goes out in the car, bringing the now friendly family dog with him. He gets into an accident, with people {{def|surrounding|surround}} the car and {{ref|watching|watch}} {{def|{{ref|inside}} the car|inside car}}, causing him to panic:
He goes out in the car, bringing the now friendly family dog with him. He gets into an accident, causing many bystanders to {{def|move around}} the car and {{ref|watch}} {{def|{{ref|inside}} the car|inside car}}, sending him into a panic frenzy. Note that the scene is shot from inside the car:


<gallery widths=300px mode=packed>
<gallery widths=300px mode=packed>
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He manages to start the car, and later finds himself back at the diner, with the same people {{ref|watching|watch}}:
He manages to start the car and flees. We later find him back at the diner, with the same people {{ref|watching|watch}}:


[[File:Screenshot 2021-12-12 17.11.26.png|400px|center]]
[[File:Screenshot 2021-12-12 17.11.26.png|400px|center]]


The dog inside the car barks, making him go outside. He makes the dog {{ref|eat}} the diner food.
The dog {{ref|{{ref|inside}} the car|inside car}} barks, making him go outside. He makes the dog {{ref|eat}} his food.


[[File:Screenshot 2021-12-12 16.38.49.jpg|400px|center]]
[[File:Screenshot 2021-12-12 16.38.49.jpg|400px|center]]


Policemen arrive at the scene and {{def|check}} on the car, {{ref|moving around|move around}} and {{ref|surrounding|surround}} it.
Policemen arrive at the scene and check on the car, {{ref|moving around|move around}} it.


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<gallery widths=300px mode=packed>
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They order the killer to open the trunk, while the people that were at the diner, the policemen, and even the killer, all {{ref|check}} on the car, with the {{ref|eating|eat}} dog {{ref|{{ref|inside}} the car|inside car}} and the corpses in the trunk:
They order the killer to open the trunk, while the people that were at the diner, the policemen, and even the killer, all check on the car.


[[File:Screenshot 2021-12-12 16.40.33.jpg|400px|center]]
[[File:Screenshot 2021-12-12 16.40.33.jpg|400px|center]]


{{quote|[Voice-off from the killer] The moment was very thrilling. It really excited me. Now '''everybody'''’s going to be scared to death. Now '''everybody''' is afraid of me. I’m famous.}}
As they {{ref|move around}} the car, with the {{ref|eating|eat}} dog {{ref|{{ref|inside}} the car|inside car}} hypostatizing the killer being {{ref|watched|watch}} (by the people at the diner during the eating scenes, and then by the bystanders following the car accident), and the bodies in the trunk reminiscent of what he did {{ref|inside}} the house, they hypostatize the movie viewers when they were {{ref|watching|watch}} the killer as the camera was {{ref|moving around|move around}} him since the beginning of the movie. In fact, since the killer himself is among the watchers, the scene plays out like an out-of-body experience where the killer moves out of the car (and out of the subjective view from inside the car) and takes the viewers’ place, {{ref|watching|watch}} the car-dog-bodies as himself, and giving a very particular meaning to the word “everybody” in the following quote:
 
{{quote|[Voice-over from the killer as the car trunk is being opened] The moment was very thrilling. It really excited me. Now '''everybody'''’s going to be scared to death. Now '''everybody''' is afraid of me. I’m famous.}}


[[Category:Movie]]
[[Category:Movie]]

Latest revision as of 16:40, 13 January 2022

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For more info on reconstructions, we refer you to our manifesto or the online book.


Angst starts with the camera <moving around>DEF the main character as he roams around before finding and shooting his next victim:

He is then captured and imprisoned for several years. His first stop after release is at a diner, where he catches people <watching>DEF him:

Screenshot 2021-12-12 17.08.30.png

The <watching> coincides with extreme close-ups of him <eating>DEF:

Screenshot 2021-12-12 15.55.09.jpg

After the scene, he finds a cab but the suspicious driver makes him flee. He finds an isolated house. He <moves around> it before breaking in:

<Inside>DEF the house, the camera resumes <moving around> him as he scouts:

He kills the occupants, while entertaining fantasies of making them <watch>:

 First the mother should visit her dead son. She should observe very carefully… how he could no longer move. 
 The old one had to stay conscious, no matter what. I wanted to strangle her after all. And the daughter should watch how her mother slowly died. 
 I made a new plan. I wanted to show the corpses to the new victims. I was convinced that I could really scare them with that. I had the idea that I would lock the new victims together with the corpses. That would scare them enormously. 

He then loads the bodies into the trunk of a car:

Screenshot 2021-12-18 11.14.51.jpg

He goes out in the car, bringing the now friendly family dog with him. He gets into an accident, causing many bystanders to <move around>DEF the car and <watch> <<inside> the car>DEF, sending him into a panic frenzy. Note that the scene is shot from inside the car:

He manages to start the car and flees. We later find him back at the diner, with the same people <watching>:

Screenshot 2021-12-12 17.11.26.png

The dog <<inside> the car> barks, making him go outside. He makes the dog <eat> his food.

Screenshot 2021-12-12 16.38.49.jpg

Policemen arrive at the scene and check on the car, <moving around> it.

They order the killer to open the trunk, while the people that were at the diner, the policemen, and even the killer, all check on the car.

Screenshot 2021-12-12 16.40.33.jpg

As they <move around> the car, with the <eating> dog <<inside> the car> hypostatizing the killer being <watched> (by the people at the diner during the eating scenes, and then by the bystanders following the car accident), and the bodies in the trunk reminiscent of what he did <inside> the house, they hypostatize the movie viewers when they were <watching> the killer as the camera was <moving around> him since the beginning of the movie. In fact, since the killer himself is among the watchers, the scene plays out like an out-of-body experience where the killer moves out of the car (and out of the subjective view from inside the car) and takes the viewers’ place, <watching> the car-dog-bodies as himself, and giving a very particular meaning to the word “everybody” in the following quote:

 [Voice-over from the killer as the car trunk is being opened] The moment was very thrilling. It really excited me. Now everybody’s going to be scared to death. Now everybody is afraid of me. I’m famous.