You are reading a reconstruction.
Quick guide (IMPORTANT): please read our quick reading guide.
Spoiler note: we advocate a “spoilers don’t matter” stance. Read more about it.
Copyright note: we do NOT generally own the rights to the reconstructed content. Reproduction is made under the provisions of fair use for educational purposes.
For more info on reconstructions, we refer you to our manifesto or the online book.
Angst starts with the camera <moving around>DEF the main character as he roams around before finding and shooting his next victim:
His first stop after release is at a diner, where he catches people <watching>DEF him:
The <watching> coincides with extreme close-ups of him <eating>DEF:
After the scene, he finds a cab but the suspicious driver makes him flee. He finds an isolated house. He <moves around> it before breaking in:
Inside the house, the camera resumes <moving around> him as he scouts:
He kills the occupants, while entertaining fantasies of making them <watch>:
❝ First the mother should visit her dead son. She should observe very carefully… how he could no longer move. ❞
❝ The old one had to stay conscious, no matter what. I wanted to strangle her after all. And the daughter should watch how her mother slowly died. ❞
❝ I made a new plan. I wanted to show the corpses to the new victims. I was convinced that I could really scare them with that. I had the idea that I would lock the new victims together with the corpses. That would scare them enormously. ❞
He then loads the bodies into the trunk of a car:
He goes out in the car, bringing the now friendly family dog with him. He gets into an accident, with people <surrounding>DEF the car and <watching> inside, causing him to panic:
He manages to start the car, and later finds himself back at the diner, with the same people <watching>:
The dog inside the car barks, making him go outside. He makes the dog <eat> the diner food.
Policemen arrive at the scene and <check>DEF on the car, <moving around> and <surrounding> it.
They order the killer to open the trunk, while the people that were at the diner, the policemen, and even the killer, all <check> on the car, with the <eating> dog inside and the corpses in the trunk:
❝ The moment was very thrilling. It really excited me. Now everybody’s going to be scared to death. Now everybody is afraid of me. I’m famous. ❞