Reconstruction:Feeble Screams from Forests Unknown (Burzum)

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From the start, an <elevation>⁠DEF is repeatedly pulled down at its <apex>⁠DEF by descending intervals, first <abruptly>⁠DEF, then after a <staggered>⁠DEF descent.

A new concept is then introduced when <tremolo>⁠DEF is used to prefix <elevation>. This tremolo <causes>⁠DEF a descending <transposition>⁠DEF of <elevation>. It <propagates>⁠DEF to the <apex> of a <transposed> <elevation>, leading to a <<tremolo> transposition>⁠DEF.

The composition then correlates <<staggered> descents>⁠DEF to a <<staggered> <elevation>>⁠DEF as a decomposition of <elevation> into <proto-<elevations>>⁠DEF. The <staggering> is progressively <assimilated>⁠DEF, by analogy, into a descending <<tremolo> <transposition>>, where the tremolo abstracts the <staggered> segments.

In contrast to the preceding essentially descending section, the final section starts with a <<staggered> <elevation>> based on a <rhythmically>⁠DEF repeating <proto-<elevation>>. Then, in total contrast, the final motif starts with a <<tremolo> <transposition>> that pulls down the preceding <elevation>, and then correlates a <<transposed> <tremolo>>⁠DEF to a <proto-<elevation>>. The final motif thus produces an epiphany that reveals simultaneously (a) the <proto-<elevation>> semantics that <tremolo> implicitly acquired when it <assimilated> the <<staggered> <elevation>>, and (b) an appropriation of the preceding <<staggered> <elevation>>, as a <rhythmic> alignment with the latter is revealed in the final motif’s cadence.