Difference between revisions of "Reconstruction:Feeble Screams from Forests Unknown (Burzum)"

Latest revision as of 21:47, 21 January 2022

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From the start, an <elevation>⁠DEF is repeatedly pulled down at its <apex>⁠DEF by descending intervals, first <abruptly>⁠DEF, then after a <staggered>⁠DEF descent.

A new concept is then introduced when <tremolo>⁠DEF is used to prefix <elevation>. This tremolo <causes>⁠DEF a descending <transposition>⁠DEF of <elevation>. It <propagates>⁠DEF to the <apex> of a <transposed> <elevation>, leading to a <<tremolo> transposition>⁠DEF.

The composition then correlates <<staggered> descents>⁠DEF to a <<staggered> <elevation>>⁠DEF as a decomposition of <elevation> into <proto-<elevations>>⁠DEF. The <staggering> is progressively <assimilated>⁠DEF, by analogy, into a descending <<tremolo> <transposition>>, where the tremolo abstracts the <staggered> segments.

In contrast to the preceding essentially descending section, the final section starts with a <<staggered> <elevation>> based on a <rhythmically>⁠DEF repeating <proto-<elevation>>. Then, in total contrast, the final motif starts with a <<tremolo> <transposition>> that pulls down the preceding <elevation>, and then correlates a <<transposed> <tremolo>>⁠DEF to a <proto-<elevation>>. The final motif thus produces an epiphany that reveals simultaneously (a) the <proto-<elevation>> semantics that <tremolo> implicitly acquired when it <assimilated> the <<staggered> <elevation>>, and (b) an appropriation of the preceding <<staggered> <elevation>>, as a <rhythmic> alignment with the latter is revealed in the final motif’s cadence.

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 The composition then correlates {{def|{{ref|staggered}} descents|staggered descents|2:37-2:44}} to a {{def|{{ref|staggered}} {{ref|elevation}}|staggered elevation|2:50.2-2:54}} as a decomposition of {{ref|elevation}} into {{def|proto-{{ref|elevations|elevation}}|protoelevation}}. The {{ref|staggering|staggered}} is progressively {{def|assimilated}}, by analogy, into a descending {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose|4:35-4:47.5}}, where the tremolo abstracts the {{ref|staggered}} segments.
-In contrast to the preceding essentially descending section, the final section starts with a {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}} based on a {{def|rhythmically|rhythm}} repeating {{ref|proto-{{ref|elevation}}|protoelevation|5:11.5-5:15}}. Then, in total contrast, the final motif starts with a {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose}} that pulls down the preceding {{ref|elevation}}, and then correlates a {{def|{{ref|transposed|transposition}} {{ref|tremolo}}|transposed tremolo|6:8.7-6:10}} to a {{ref|proto-{{ref|elevation}}|protoelevation|6:12-6:13.4}}. The final motif thus produces an epiphany that reveals simultaneously (a) the {{ref|proto-{{ref|elevation}}|protoelevation}} semantics that {{ref|tremolo}} implicitly acquired when it {{ref|assimilated}} the {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation}}, and (b) an appropriation of the preceding {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}}, as the final motif’s cadence reveals a {{ref|rhythmic|rhythm}} alignment.
+In contrast to the preceding essentially descending section, the final section starts with a {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}} based on a {{def|rhythmically|rhythm}} repeating {{ref|proto-{{ref|elevation}}|protoelevation|5:11.5-5:15}}. Then, in total contrast, the final motif starts with a {{ref|{{ref|tremolo}} {{ref|transposition}}|tremolo transpose}} that pulls down the preceding {{ref|elevation}}, and then correlates a {{def|{{ref|transposed|transposition}} {{ref|tremolo}}|transposed tremolo|6:8.7-6:10}} to a {{ref|proto-{{ref|elevation}}|protoelevation|6:12-6:13.4}}. The final motif thus produces an epiphany that reveals simultaneously (a) the {{ref|proto-{{ref|elevation}}|protoelevation}} semantics that {{ref|tremolo}} implicitly acquired when it {{ref|assimilated}} the {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation}}, and (b) an appropriation of the preceding {{ref|{{ref|staggered}} {{ref|elevation}}|staggered elevation|5:11.5-5:18.4}}, as a {{ref|rhythmic|rhythm}} alignment with the latter is revealed in the final motif’s cadence.
 [[Category:Burzum]]
 [[Category:Metal]]